The Tribe at Waterfire

July 5, 2009

The moon was fat and floating in a bed of pink but it was overshadowed by Irene Lawrence, Cassandra Tribe and Judith Tolnick-Champa discussing book prologues. Irene had sent a request to a famous writer, asking that he consider writing an introduction to her book, Judith had been on the telephone for an hour wih another writer who wanted Judith to write an introduction for HER book, Cassandra had a couple of books under her belt and so had insightful suggestions for both Judith and Irene, and I just sat there and ate macaroni salad thinking about my unfinished book- still stuffed inside a cardboard box in my closet.  It was no matter to me. The three powerful women sitting in my apartment under the July 4th moon made me feel momentarily irrelevent, joyously so. Irrelevence is the cure for hubris, and I have found that my “artists agenda” has lately taken me far from genuine curiosity, clear observation, life “as is” -  for its own sake.  In an over-processed world, I over-process myself and my work- striving to be a pulsing, thriving mission statement instead of a woman eating macaroni before pushing a doggie stroller down the street to Waterfire.

I think too much. I process too little. Last night, after taking a picture of the bulbous swooning moon, and listening to the smart girls figure out how to manuever themselves through another creative pin-hole, I wanted to stop thinking. I wanted to simply “be” without being somebody. Just breathe and eat macaroni salad. The salad was pretty good because I put double pesto sauce on it and high quality parmesean cheese, and the girls seemed to like it. But then Irene gave me a painting. It was so beautiful, so real, as I gripped it in both hands, and thought, mine…mine…why? — I wanted to leave and reenter the room as another me, the me I could be when I cared and in caring could manifest a masterpiece of equal worth.

Cassandra was discussing ways to multiply blog readership numbers, Judith was discussing the critical nature of the literary interview, Irene answered a question about her use of linen canvas.  It was stimulating, valuable information. It was just the way I wanted my living room to buzz.  But I was tired. In fact, I realized I had been tired for about ten years, from about the time I’d abandoned the book to the cardboard box.

We walked to Waterfire. The moon followed us as the sky darkened and the fires were orange, spurting blurs of warmth that shown on hundreds of tired faces and the faces were upturned to the fires, eyes closed. The moon shone on the water, and hundreds of people were walking and laughing or sitting and leaning against each other, eyes closed. The mile of Water fires, 80 odd blazing signatures of one man, moved the night and took everyone with them and we were all floating under the dry white moon, and I think everyone was remembering, at the same time, that we had nowhere to go and nothing we really had to do.

Why Can’t We Have Fun Again?

March 18, 2009


Winter, 2002, Davio’s in The Biltmore. Buddy and his constituents holding court, heavy handed drinks, people with an easy laugh, money in their pockets, a scam in the works. It seemed like everybody was getting laid and actually enjoying it. Brown University Professeurs, seeking tenure but completely confident of their future sipped champagne cocktails in the love seats and requested songs with suggestive lyrics. The Davio’s management, happy with the flow of money into their cash register, let the evening unfold without comment. The gays and straights and rich and bohemian and uptights and East sider and West siders crushed together in a frenzy of freedom from the Same Old. It was a true Cabaret room where all castes congregated, sharing bad jokes, sing-a-longs and lousy nachos. The young and beautiful students. the Brown intellectuals, the tourists, groups staying at the hotel for a conference — Turf Masters of America, a Mortician Convention — dull herds of men from Milwaukee and Baltimore pressing against the local Madonna-Wanna tarts of North Providence, and Voila, it’s Christmas week and Davio’s has decorated the front windows with fake mistletoe and an electric Santa and Mrs. Santa, who girate randomly until I readjust them for slow dancing and suddenly, Mr and Mrs. Santa are fornicating on the stage. The crowd absorbs the peculiarity and is amused. Nobody makes a move to separate the electric Christmas couple. The night heats up with more jazz swing tunes, heaps of snow pile up against the windows behind the stage, cars in the street are stranded in sleet. They double park and come into the room for a drink, welcomed with cheers, handed half empty beer mugs.
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Reduction Sauced To Boredom and Insanity in Providence

March 9, 2009

What is going on around here? A full page ad for Karaoke as the entertainment offering at the hippest new downtown restaurant, open-mike nights at places too cheap to pay entertainers. To Do Listings for meatball nights, wine tasting, Tapes bars, singles nights, Donny Osmond or another truck tour of “Grease” at Providence Center for the Performing Arts, and oh dear, not another Salsa night!

Clubs with half a dozen TV sets blaring third tier sporting events, throbbing, faux leather ultra-lounges; pricey, overly designed theme restaurants suggesting Paris in the ‘20’s or Rome during Nero’s reign. We’re all dressed up with nowhere to go, unless we want to eat. And eat. And eat.

Who doesn’t like a good meal, but how much can a person consume without exploding? We’re being reduction sauced to death, meatballed to madness. Swimming through olive oil en route to the gym, we are still starved. Starved for stimulation.

Why is Providence such a bore? Its sum continues to remain smaller than its parts. Lodged between Boston and New York, with easy access to moneyed Newport and the ocean, an Ivy League school and a top School of Design, it seems improbable that the mainstream restaurants, theaters and nightclubs continue to thrive, while those attempting the unique soon close up shop.

The artists are here, I’ve seen them. The intelligent are here, I’ve spoken with them. The misfits, rebels, and bohemians who might be in Paris, or New York, if they had more money- they’re here, too. Gay men keep the nights alive despite the cold and recession, forgotten musicians keep music alive despite exploitation and lack of venues. The mayor, a lover of arts and beauty, stands firm against corruption and ignorance. The journalists and columnists wrestle with silent censors; the students and youth rehearse their garage bands and provide us poetry slams and they are adorable, but it is not enough.

The Renaissance that Mayor Cianci inspired several years ago has left us a beautiful waterfront, loads of calories, struggling artists and little else. In 1998, Buddy said in an interview, “Cities have to breathe. They have to smell like a city, feel like a city, sing a song of a city with symphonic proportions.” It breaks my heart, but Providence is singing the blues. How can we shake it up again, bring back the gritty edge, the unpredictable eclecticism that makes art worthwhile?

It’s common knowledge that the general population, called general for a reason, doesn’t like surprises. These dull minds, with a taste for status they can never achieve, crave the nouveau as packaged by Madison Avenue. Scurrying around like desperate squirrels in search of a fat nut, the masses demand suggestions from glossy magazines and the local rags. They need to know what and who they should worship and in what order. The fewer choices, the happier they are. Their limited imaginations avoid challenge.

The monstrous Providence Mall, front and dead center, is the cities beacon. The pastel mausoleum still hums with activity, even during this recession, in the middle of an ice-storm, with glassy eyed hoards spending 10 dollars on a movie ticket and 4 dollars for bottled water before they head to the food court for pizza, Chinese food and ice-cream. Down the street, next to a busy hair and nail salon is a bawdy sports bar, a proper coffee shop, a near empty Jazz club offering, again, Vinny at the keyboard or Bob on guitar.

Why is Providence the East Coast’s answer to Toledo? Is there a secret organization of inbred plebeians undermining our efforts? A good old boy network invested in hiring cousin Vinny or Uncle Bob so that Aunt Brenda can keep her Jaguar?

Who or what continues to suppress the avant-garde within these city limits? Pawtucket offers us more sophisticated alternatives.

I need to know. I love this city very much, and keep returning to it again and again, as many artists do. We need to save it from the timid minds who suffocate the spirit of this great place. The recession may be a good time to do it. With nothing to lose, proprietors may be willing to take more risks. It is written that this should occur. It is, after all, Divine Providence.

Providence Residents Almost Die of Boredom

February 26, 2008

audience.jpgAP-Providence, RI: Several residents of Providence, RI have been admitted to St. Josephs Hospital with what was thought to be the flu. It has been discovered, through lengthy blood work, that they are on the verge of dying of boredom. Psychiatrists on staff suggested the boredom was due to weather patterns. The patients disagreed and stated vehemently that they were going to drop dead unless something exciting happened immediately. Buddy Cianci, hearing of the crisis, contacted Laurel Casey and requested that she move back to the city as soon as possible. The patients, upon promise of a springtime full of outrageous cabaret performances and ensuing ramifications, were released without bail.